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"THE SOUL AND BODY SUITS TWO HUMAN

Show : "THE SOUL AND BODY SUITS TWO HUMAN
Artist: Giuliana Balbi , Anda Klancic, Silvia Elena Sperandio, Cristina Treppo
Location: Serra di Villa Revoltella, via Marchesetti 37, Trieste
Promoter: Group 78 in collaboration with the Culture Department of the Municipality of Trieste
Edited by Maria Campitelli


Opening: Friday 11 July 2008, at 21
Duration is: until August 10, 2008 with opening hours: Tuesday to Sunday: 16:30 - 19, closed Mondays

Group 78, has always attested on contemporary art, is once again invade the magical space of the Serra Villa Revoltella, in Trieste, with great facilities. 11 July to 10 August because of an exhibition entitled "SOUL TWO HUMAN BODY AND CLOTHING "promoted by the Group 78 with the collaboration of the Culture of the Municipality of Trieste. Invited four young artists with the large installations designed and developed for this exhibition. This is Julia Balbi of Trieste, Anda Klancic in Koper, Silvia Elena Sperandio of Treviso, and Christine Trepanier of Udine.Il project builds on a path already mapped out by the Group 78 with a series of exhibitions focusing on the relationship between art fashion, but which result in any decisive sense of trespassing and curious twists linguistici.Questa new exhibition sees the dress only laterally, the call is included in the word in the title, with allusive and metaphorical significance. The dress here is not intended as housing / investment but as a synonym for a way to be, habits, concepts of shared universal, and you then open to a broader thinking that involves the dichotomy inside / outside, visible / invisible, spiritual / material, leaving wide room for interpretation by the artists. They are united in this case, the factuality of the media used to build their facilities. These languages \u200b\u200band materials typically female, who insist on the concept of the plot, a sort of fiber-art in its embryonic roots, translated in the versions and then using the most unusual.

Giuliana Balbi intertwined now for years and always different ways, thin strips cut from photographs. With them in this case, build houses, "water", dresses raising a cloud of air, which simulate the fresh weight, the explosive gush of splashing water purifying. They are clothes / get rid of the waste that remains of this land to become pure spirit, happy souls in a consolation elsewhere. Silvia Elena

Sperandio use the wool yarn in the traditional forced "knitting" with which to build authentic sculptures, Anda Klancic interwoven plant fibers, Cristina Treppo assembles various parts of the female wardrobe, from fabric to lace the dress gloves, but also the wire, tree branches ... These rules - that emerge from the universe of women and echoing the practices of everyday life, an aura domestic relationship to the body - burst the universal themes of life, in its fragility, and of death and pain of pregnancy, the paths of thought ("meditation chapels" Anda Klancic), purified water and the elevation of the soul, of the inexorable passage of time, and the resulting change in the nature and things ...

Free Mario Salieri Movies On Line

VI Triennale of Tapestry and Textile Arts. Italy, the fiber sensitive.

Triennale Internationale de la Tapisserie et des Arts du Tissu de Tournai.
Collective Exhibition 06/14/2008> 08/31/2008 - Tournai - Belgium

This year's edition, entitled "Italy, the fiber sensitive" and under the high patronage of Their Majesties the King and Queen of the Belgians, will grow in 7 prestigious places of the ancient city of Tournai: the Musee de la Tapisserie, the Textiles Market, the Maison de la Culture, the Museum of Fine Arts, the Fort Rouge, the Cathedral (XI and XII sec.) and the bell tower of the Belfry (XII sec.), part of the World Heritage. Tournai, one of the oldest cities in Belgium and prestigious location and production center dell'Arazzeria High-warp, will show the works of a score of prominent contemporary Italian artists: Giuliana Balbi, Heidi Bedenknecht De Felice, Teodolinda Caorlina, Vito Capone, Domenico Carella, Wanda Casarile, Cicuttin Paola, Elena Cologni, Kela Cremaschi, Alba D'Urbano, Laura Facchini, Lucy Flegg, Rosanna Gallo, Luciano Ghersi, Pina Inferrera, Federica Luzzi, Mauro Molinari, Gina Morandini, Anna Moro-Lin, Monica Notarbartolo, Lucy Pagliuca, Anna Pontel, Lydia predominate, Sarah Seidmann, Mario Tudor, Ivano Vitali.

GIULIANA BALBI
Suits and finds

Giuliana Balbi uses the plot as the foundation of his artistic work; mix of elements that constitute a single tissue, in constant motion evolutionary therefore relates to the "fiber art".
elements are not thread, yarn or otherwise of any nature in any way attributable to the traditional practice of interlacing warp and weft. They are thin strips of photographs intertwined. Giuliana first picture, then cut the strips and then again made accessible to form a support structure that becomes a habit, or - according to a later version, which envisions the garment recovered from some disaster - "finding."
In the back-ground of the creative process there are two practices - and two passions - different: one for weaving, learned at the Art Institute of Trieste and one for photography. And this latter becomes functional at first. Not that Julia intends to destroy, cut, the photographs, they bear witness to the contrary, in the rich harvest so imaginary, an atmosphere, a situation, fragments of reality, which ultimately characterize and build a sense of the dress, or labor thus created. That is, the photographic evidence, albeit altered, is the substratum apparel or "finding" that it is nourished by purchasing from time to time on different meanings.





So there are clothing items, and recorded in camouflaged apparel belonging to a number of people in the portraits - of course in small strips - Form the backbone of the Abbot


or the habit that spreads fragrance because it is made with images of flowers and scented plants that produces the aromatic essences.






But there is also "Sincerely from East Berlin", a garment called decidedly unsettling. A light silver cape made of postcards from the city - sent during the Cold War period, when the sentences were to be given to cross the rigid political controls - then becomes historical memory.







But it goes without further clarification about the language and its metamorphosis. In addition to f oto strips are reduced in the abundant strands of nylon, so that help to strengthen the flimsy plot, but also become an aesthetic element, but with references to inner motivations, tangles and knots visible on the surface of the soul .




Species in the findings, the wires stretch, dripping, enriched with silicon, as if they were the last remnant of a dress worn. And the way of plot, as Julie works, you change, it is easy, breezy take on a stellar performance, consolidate in a practice that is becoming more fluent and safe.

As in the recent habit of water (part of an installation in progress) where the strips of photographs splashed by all parties, are transformed into gushing fountains of magical or sudden bursts of cascading.
Maria Campitelli