4 artists interact with the space of the Museum of Carà
Muggia
Muggia
installations Giuliana Balbi, Flegel Lucia, Anna Pontel, Cristina Treppo
Show sponsored by the Cultural Department of the City of Muggia in collaboration with the Association cultural Gruppo78 Pracchi the project (project with the Contemporary Art Museum Carà associations and Juliet Gruppo78 Photoimago)
Edited by Maria Campitelli
Museum of Modern Art Ugo Cara, Via Roma, 9, Muggia (Trieste)
Opening: Thursday October 21, at 18.30
Duration: until 14 November
Hours: Tuesday-sabato17.00/19.00; Thursday 10.00/12.00 - 17.00/19.00
Show sponsored by the Cultural Department of the City of Muggia in collaboration with the Association cultural Gruppo78 Pracchi the project (project with the Contemporary Art Museum Carà associations and Juliet Gruppo78 Photoimago)
Edited by Maria Campitelli
Museum of Modern Art Ugo Cara, Via Roma, 9, Muggia (Trieste)
Opening: Thursday October 21, at 18.30
Duration: until 14 November
Hours: Tuesday-sabato17.00/19.00; Thursday 10.00/12.00 - 17.00/19.00
This exhibition is based on four installations of many artists of our land: Giuliana Balbi's Trieste, Flegel Lucia, Anna Pontel, Cristina Treppo all three of Udine. They share a feminine interests, materials used, a matrix, in particular Lucy and Juliana Flegel Balbi, which is linked to fiber-art, fabric art, especially of the plot. But today this practice as old as the world encroaches plenty dall'alveo technical / practical where she was born, to enter the open field of art altogether., Recounting personal experiences, feelings, propensities psychological explorations of the unconscious.
Giuliana Balbi shows an unusual installation entitled "The Last Day." The protagonist is the glass that is multiplied, falls to the ground, while on a platter dominated by a b
Ottiglio half full. And 'the evocation of a festival to a close, when the glasses are empty, scattered everywhere. But these particular glasses, wrapped in white satin ribbons or colored threads of wool, referring back to practices and materials, as they say, typically female. E 'in any case, the testimony of a life that we all know, full well, its time to end, melancholy to the exhaustion of a particular past, the past too quickly, the transience of all, a sense of purpose. Related to the empty space of the museum, the installation takes almost a sense of warning, a sort of memento mori that turns away from all the apparent lightness playful, leading instead to reflection. Balbi, partly by experiences that have framed precisely in the vein of fiber.art, by adopting the plot, really like the warp and weft, in its work. But a plot it was very special, the one with strips of photographs, the photo-inventing weaving.
Giuliana Balbi shows an unusual installation entitled "The Last Day." The protagonist is the glass that is multiplied, falls to the ground, while on a platter dominated by a b
Ottiglio half full. And 'the evocation of a festival to a close, when the glasses are empty, scattered everywhere. But these particular glasses, wrapped in white satin ribbons or colored threads of wool, referring back to practices and materials, as they say, typically female. E 'in any case, the testimony of a life that we all know, full well, its time to end, melancholy to the exhaustion of a particular past, the past too quickly, the transience of all, a sense of purpose. Related to the empty space of the museum, the installation takes almost a sense of warning, a sort of memento mori that turns away from all the apparent lightness playful, leading instead to reflection. Balbi, partly by experiences that have framed precisely in the vein of fiber.art, by adopting the plot, really like the warp and weft, in its work. But a plot it was very special, the one with strips of photographs, the photo-inventing weaving. 
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